Existing in the shadow
Vanessa Tembane, curated by Olwethu de Vos
FNB Art Joburg (online)
6 – 18 November 2020
Vanessa Tembane, curated by Olwethu de Vos
FNB Art Joburg (online)
6 – 18 November 2020
For FNB Art Joburg’s 2020 online LAB section, INCCA presented the solo exhibition Existing in the shadow by artist Vanessa Tembane, curated by Olwethu de Vos.
Existing in the shadow featured works from the series “Muito estrangeiro para o lar”, translated as “too foreign for home” in Portuguese. South African-born, with Mozambican heritage, Tembane conceived this body of work after an encounter with her grandmother in 2018. Tembane and her mother went on a 915,2 km drive to Zavala, Mozambique. When they finally arrived, her grandmother was picking peanuts in the far end of the compound. Tembane and her mother began to walk towards her; she was walking ahead of her mother. When they were close enough to each other, Tembane noticed that her grandmother had a strange expression on her face; it was as if she did not recognise her. She had only called her by name when her mother stood beside her. Upon reflection, that’s when Tembane realised that this has occurred in almost every encounter with her grandmother and even some of her family members. “This encounter with my grandmother reminded me of how I am my mother’s shadow, in that I only exist by virtue of light hitting her”, Tembane explains. In other words, Tembane is only recognised by her grandmother when she is beside her mother. She felt that she is not a being in herself, rather a bi-product of her mother’s existence in that moment.
Tembane’s work is inspired by her mother’s narratives and explores how they have influenced her identity and sense of belonging. Her collages allow her to merge her photographs taken in South Africa with those of her Mozambican relatives and to create strange hybridised composites. The collages combine photographic cut-outs with details of swathes of fabric – capulanas – that were given to Tembane by her grandmother and aunts during occasional visits to Mozambique. Existing in the shadow is an extension of Tembane’s perception of her grandmother in the sense that she is not a being by herself either, due to the lack of communication and recognition between her and her grandmother without her mother’s presence. In addition to this, Tembane configures her sense of identity and belonging within her mother’s narratives of the past.
Image credits: © Vanessa Tembane
Existing in the shadow featured works from the series “Muito estrangeiro para o lar”, translated as “too foreign for home” in Portuguese. South African-born, with Mozambican heritage, Tembane conceived this body of work after an encounter with her grandmother in 2018. Tembane and her mother went on a 915,2 km drive to Zavala, Mozambique. When they finally arrived, her grandmother was picking peanuts in the far end of the compound. Tembane and her mother began to walk towards her; she was walking ahead of her mother. When they were close enough to each other, Tembane noticed that her grandmother had a strange expression on her face; it was as if she did not recognise her. She had only called her by name when her mother stood beside her. Upon reflection, that’s when Tembane realised that this has occurred in almost every encounter with her grandmother and even some of her family members. “This encounter with my grandmother reminded me of how I am my mother’s shadow, in that I only exist by virtue of light hitting her”, Tembane explains. In other words, Tembane is only recognised by her grandmother when she is beside her mother. She felt that she is not a being in herself, rather a bi-product of her mother’s existence in that moment.
Tembane’s work is inspired by her mother’s narratives and explores how they have influenced her identity and sense of belonging. Her collages allow her to merge her photographs taken in South Africa with those of her Mozambican relatives and to create strange hybridised composites. The collages combine photographic cut-outs with details of swathes of fabric – capulanas – that were given to Tembane by her grandmother and aunts during occasional visits to Mozambique. Existing in the shadow is an extension of Tembane’s perception of her grandmother in the sense that she is not a being by herself either, due to the lack of communication and recognition between her and her grandmother without her mother’s presence. In addition to this, Tembane configures her sense of identity and belonging within her mother’s narratives of the past.
Image credits: © Vanessa Tembane
Open call project ︎
Art
Siviwe James
Ubuhle Ngaphaya Kwameva
Opening Sunday 2 February 2025 at 10am
Victoria Yards, Lorentzville, Johannesburg
Phumelele Kunene
In My Element
Opening Sunday 2 March 2025 at 10am
Victoria Yards, Lorentzville, Johannesburg
Art
After
Baby Vol.2
Siviwe James
Ubuhle Ngaphaya Kwameva
Opening Sunday 2 February 2025 at 10am
Victoria Yards, Lorentzville, Johannesburg
Phumelele Kunene
In My Element
Opening Sunday 2 March 2025 at 10am
Victoria Yards, Lorentzville, Johannesburg
INCCA is pleased to announce the two incredibly talented artists selected from our Art After Baby (AAB) open call – Siviwe James and Phumelele Kunene. Each artist will hold their own solo exhibitions in February and March 2025 at Victoria Yards, Lorentzville, Johannesburg. We look forward to revealing more and platforming their powerful work to our network in the coming weeks.
The second edition of AAB is again supported by the National Arts Council South Africa (NAC) Presidential Employment Stimulus Programme (PESP 5). AAB is an ongoing project initiated by INCCA in 2023 that supports those who are trying to juggle art-making with motherhood, care-giving or have been impacted by loss. This is one of the few projects in South Africa that acknowledges that artists are often “zero-hour workers” with a sporadic and unreliable income, and that many women carry the responsibility of being primary caregivers without the financial cushion to continue their practice.
The selected artists both create deeply personal work that reflects not only their positions as caregivers and artists, but also how they have navigated loss, which has impacted their roles as mothers and created new, unexpected paths for them as creatives.
The overall aim of AAB is to confront what remains a taboo subject, and to find pathways for the accepted applicants to participate in an industry often still dominated by men and/or privilege, and also to explore how art-making itself can be a cathartic salve for the many challenges of motherhood, caregiving and/or trauma and loss. AAB aims to provide artists with a short period of breathing room to focus on their work, and motivates those who are battling to juggle a career in the arts to find spaces and avenues to continue producing. In addition, we hope to establish routes and approaches for others in similar positions.
Previous recipients include artists Ditiro Mashigo and Naledi Chai.
The second edition of AAB is again supported by the National Arts Council South Africa (NAC) Presidential Employment Stimulus Programme (PESP 5). AAB is an ongoing project initiated by INCCA in 2023 that supports those who are trying to juggle art-making with motherhood, care-giving or have been impacted by loss. This is one of the few projects in South Africa that acknowledges that artists are often “zero-hour workers” with a sporadic and unreliable income, and that many women carry the responsibility of being primary caregivers without the financial cushion to continue their practice.
The selected artists both create deeply personal work that reflects not only their positions as caregivers and artists, but also how they have navigated loss, which has impacted their roles as mothers and created new, unexpected paths for them as creatives.
The overall aim of AAB is to confront what remains a taboo subject, and to find pathways for the accepted applicants to participate in an industry often still dominated by men and/or privilege, and also to explore how art-making itself can be a cathartic salve for the many challenges of motherhood, caregiving and/or trauma and loss. AAB aims to provide artists with a short period of breathing room to focus on their work, and motivates those who are battling to juggle a career in the arts to find spaces and avenues to continue producing. In addition, we hope to establish routes and approaches for others in similar positions.
Previous recipients include artists Ditiro Mashigo and Naledi Chai.
Explore Previous AAB projects and texts below